Film Language of Violence and Aesthetic Significance and Value of Symbols [电影语言中暴力与审美符号的意义与价值]

  • 作为电影符号的暴力影像可分为能指上的和所指上的两种,它们的意义并非指向现实中的暴力行为,而是弗洛姆所呼唤的人性热情的艺术表达。这种表达是对绝望的抗争和对希望的渴求,是向死而生的存在主义的理解,是对生存与死亡的隐喻。无论这个毁灭和绝望指向社会还是自身,无论是用理想人格来超越它还是用它来批判社会现实,它都承载着丰富的内涵成为艺术世界的一部分,成为审美对象,并获得了丰富的美学价值,暴力美学的含义也当于此。
  • As a symbol of violent video films can be divided into two signifiers and signified on their sense of reality is not the point of violence, but the call Fromm artistic expression of human passion. This expression is the struggle against despair and longing for hope, is understood to Death existentialism, is a metaphor for life and death. Whether this destruction and despair pointing society or themselves, whether it be the ideal personality to transcend it or use it to criticize the social reality, it carries all the rich connotation become part of the art world has become aesthetic objects, and access a wealth of aesthetic value, meaning aesthetics of violence also as this. [automatic translation]

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Metadaten
Author:Leilei Ye
Parent Title (Chinese):Movie Literature [电影文学], No. 16 (2013), pp. 8-9.
Document Type:Articles
Language:Chinese
Year of first Publication:2013
Release Date:2015/12/14
Format:no copy existent / keine Kopie vorhanden
IdNo:Ye_Leilei_2013
Writings about Erich Fromm (Secondary Literature):Articles / Artikel
Erich Fromm's Library and Erich Fromm Archive:Articles / Artikel
Licence (German):no access / nicht zugänglich
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