Abuse and Carnival – On Domestic >Child Heart Drama< Paradigm and Aesthetics [受虐与狂欢——论国产>虐心剧<的范式与审美] [application of Fromm's theories to art]

  • 随着网络文化的影响,在当下的电视银屏中,一股>虐心<风潮席卷而来。随着《倾世皇妃》、《宫锁连城》、《何以笙箫默》等一批高收视的带有>虐心<特点的青春偶像剧的出现,虐心剧已成为揽获收视的一大法宝。在本文当中,笔者拟将借助弗洛姆的相关理论、巴赫金的狂欢理论及其它理论,对>虐心剧<的定义、范式及审美快感进行分析,从而力图揭示>虐心剧<的本质所在
  • With the influence of Internet culture, in the moment of television screens, the wave of >child heart< wave swept. With the >Qing Shi Huang Fei<, >Palace lock Citylink<, >Why silent farewell< and a number of high ratings with >Child Heart< features the emergence of youth idol, child heart drama has become eligible for the viewing of football a magic weapon. Among this article, the author intends by means of the theory of Erich Fromm, Bakhtin's carnival theory and other theories of >child heart drama< definition, paradigms and aesthetic pleasure for analysis to try to reveal the essence of >child heart drama< of lies. [automatic translation]

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Metadaten
Author:Bo Cheng
Parent Title (Chinese):First Yangtze Television Media Graduate Academic Forum [首届长三角影视传媒研究生学术论坛], Shanghai, China, May 15, 2015, in: First Yangtze Television Media Graduate Academic Forum [首届长三角影视传媒研 究生学术论坛论文集], pp. 314-320.
Document Type:Articles
Language:Chinese
Year of first Publication:2015
Release Date:2015/12/14
Format:no download and copy possible
IdNo:Cheng_Bo_2015
Writings about Erich Fromm (Secondary Literature):Articles / Artikel
Erich Fromm's Library and Erich Fromm Archive:Articles / Artikel
Licence (German):no access / nicht zugänglich
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