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Research on the Madman Image in Jin Yong’s Novel [论金庸小说中的疯癫形象 ], Master thesis, Chinese Modern and Contemporary Literature, Henan University, Kaifeng, Henan, China 2015 [application of Fromm's theories to art].

  • 当代著名武侠小说家金庸,在1955年到1972年创作了15部武侠小说,他的每一部武侠小说在华人世界中都深受欢迎,其作品之所以如此受读者喜爱,很大程度上在于作品中塑造的众多栩栩如生,脍炙人口,令人印象深刻的人物形象。在金庸小说中不仅有潇洒俊逸的英雄形象和为非作歹的坏人形象,还有众多个性鲜明、诙谐幽默、内涵丰富的疯癫形象,这些疯癫形象在金庸小说中占有独特的地位,他们的文学史价值丝毫不逊于金庸小说中英雄和坏人形象的价值。本文以金庸在小说中塑造的疯癫形象为研究对象,结合疯癫人物的生存环境及过往经历,运用弗洛伊德、弗洛姆、阿德勒等人的心理学理论,以及相关社会学理论分析人物疯癫的原因,从而对金庸武侠小说进行深入探讨,在给予金庸武侠小说恰当评价的基础上,分析出金庸笔下疯癫形象的文学史地位和独特的文学史价值,进而挖掘出金庸在创作这些人物形象时复杂的内心世界。本论文包括绪论、正文、结语三部分。绪论部分简要介绍了本文的研究缘起和金庸小说疯癫形象的研究现状。正文分为三章:第一章,介绍了>疯癫<一词的传统意义和它在各个学科中的学理意义,进而总结出本文所说的>疯癫<一词的意义。通过对古往今来在文学史上出现的有代表意义的疯癫形象进行追溯和分析,去探究金庸小说疯癫形象对此前疯癫形象的继承与发展,总结出金庸小说疯癫形象和俗文学及雅文学中疯癫形象的不同之处,在此基础上阐述本文选择金庸小说疯癫形象作为研究对象的原因。第二章,根据人物疯癫成因把金庸小说中的疯癫形象分为因爱情失意而疯癫、因沉迷复仇而疯癫、因痴迷权名利而疯癫以及无法探究原因的疯癫四类,通过对这四类疯癫形象疯癫的原因进行分析,看到了金庸笔下疯癫人物的可怜可恨之处,看到了疯癫人物的身不由己,看到了疯癫人物隐秘的内心世界,从而展示了通俗小说家金庸对人性深处的深入探究和对人物内心的深刻挖掘。第三章,借各方学者对金庸小说的评价准确定位金庸小说在文学史上的地位,通过对金庸小说中的疯癫形象与其他人物形象进行比较,总结出疯癫形象在金庸小说中的独特地位。最后在对金庸小说疯癫形象进行全面总结的基础上指出疯癫形象在审美、认识、娱乐方面的文学史价值。结语部分总结全文,重申疯癫形象在金庸小说中的独特性和重要性,指出金庸小说在文学史中的地位和价值。
  • Contemporary famous martial-arts novelist Jin Yong wrote fifteen novels about swordsmen from 1955 to 1972, his every martial arts novel is very familiar with Chinese, his work is so popular with readers largely due to many lifelike image and impressive figures. In Jin Yong’s novel there is not only elegance and handsome heroic image and evil and bad image, but also madman image with distinct personality, witty humor and rich connotation, the madman image occupies unique place in Jin Yong’s novels, its value is no worse than the value of the image of heroes and villains. This paper takes the madman image in Jin Yong’s novel as research object, combines with the madman’s living environment and life experience, use Freud’s, Fromm’s and Adler’s psychological theory, and the club is related to theory, the author analyzes the reasons why people become mad to explore Jin Yong’s martial arts novels. Based on proper evaluation to Jin Yong’s martial arts novels, the author analyzes the position and value of the madman image and unearthed Jin Yong’s complicated inner world in the process of creation. This thesis includes introduction, text and conclusion. The introduction part briefly introduces the research origin and current research status of madman image. The text is divided into three chapters: in the first chapter, the paper introduces traditional meaning of madness and its theoretical significance in various disciplines, and summarizes the meaning of >madness< Through analyzing and tracing the representative madman image in literature history, the author is to explore succession and development of the previous madman image, sum up the differences between madman image in Jin Yong’s novel and that in literature and elegant literature, and then expound the reason why to choose madman image from Jin Yong’s novels as the research object.– The second chapter, according to the mad reasons, madman image is divided into four kinds, mad for frustrated love, for revenge, for ambition and fame, for unknown cause. Through analyzing the reasons of four kinds of madness, the madman’s pity and disgust and their helplessness can be seen in the paper, and then Jin Yong’s talent of exploring human nature further and taping one’s inner world is shown.– The third chapter, through the scholars pinpoint to the evaluation of Jin Yong’s novels in the history of literature status, the madman image in Jin Yong’s novels is comprised to other characters, it sums up the unique position of the madman image in Jin Yong’s novel. Finally it points out the madman image’s the aesthetic value, cognitive value and entertainment value in literature history on the basis of the comprehensive summary of the madman image.– In conclusion part, the author reiterates uniqueness and importance of the madman image in Jin Yong’s novels and points out the status and value of Jin Yong’s novels in the history of literature. [Author’s translation]

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Metadaten
Author:Lu Zhang
Document Type:Dissertations
Language:Chinese
Year of first Publication:2015
Release Date:2017/11/20
Format:no download and copy possible
IdNo:Zhang_Lu_2015
Writings about Erich Fromm (Secondary Literature):Dissertations / Dissertationen
Erich Fromm's Library and Erich Fromm Archive:Dissertations / Dissertationen
Licence (German):
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