TY - JOUR A1 - Aisyah, Zulfa Nur A1 - Ahmadi, Anas T1 - Alienasi Laki-Laki Pragina Dalam Novel >Yang Menari Dalam Bayangan Inang Mati< [application of Fromm's theories to art] JF - Sapala, Vol. 10, No. 2 (2023), pp. 25-34. [ejournal.unesa.ac.id/index.php/jurnal-sapala/article/view/54172] N2 - Penelitian ini bertujuan untuk mendeskripsikan faktor pengaruh mekanisme pelarian diri, bentuk mekanisme pelarian dan dampak mekanisme pelarian diri laki-laki Pragina dalam novel >Yang Menari Dalam Bayangan Inang Mati.< Teori yang digunakan dalam penelitian ini adalah psikoanalisis Erich Fromm. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan psikologi sastra. Sumber data dalam penelitian ini adalah novel >Yang Menari Dalam Bayangan Inang Mati< karya Ni Made Purnama Sari. Data penelitian ini disajikan untuk merepresentasikan faktor, bentuk serta dampak mekanisme pelarian diri laki-laki Pragina yang merupakan tokoh utama dengan menggunakan prespektif psikoanalisis Erich Fromm. Dampak pengaruh mekanisme pelarian diri laki-laki Pragina disajikan tidak menggunakan data, melainkan menggunakan interpretasi penulis sesuai dengan hasil penelitian yang kemudian dapat menarik kesimpulan dari hasil interpretasi. Teknik pengumpulan data dalam penelitian ini menggunakan teknik pustaka dengan teknik analisis deskriptif. Hasil penelitian ini menunjukkan adanya (1) Faktor mekanisme pelarian diri melingkupi faktor keluarga dan faktor internal diri laki-laki pragina yang menghasilkan 7 data, (2) Bentuk mekanisme pelarian diri melingkupi otoritarianisme, perusakan dan ketundukan otomat yang menghasilkan 25 data, (3) Dampak mekanisme pelarian diri yang terjadi pada tokoh Putu sebagai laki-laki Pragina dalam novel >Yang Menari Dalam Bayangan Inang Mati<. N2 - This study aims to describe the influence factors of the escape mechanism, the form of the escape mechanism and the impact of the escape mechanism of Pragina men in the novel >Yang Menari Dalam Bayangan Inang Mati<. The theory used in this study is the psychoanalysis of Erich Fromm. The research method used is qualitative descriptive with a literary psychology approach. The source of data in this study is the novel >Yang Menari Dalam Bayangan Inang Mati< by Ni Made Purnama Sari. This research data is presented to represent the factors, forms and impact of the escape mechanism of Pragina who is the main character using the perspective of Erich Fromm's psychoanalysis. The impact of the influence of the escape mechanism of Pragina men is presented not using data, but using the author's interpretation in accordance with the results of the study which can then draw conclusions from the interpretation results. Data collection techniques in this study use library techniques with descriptive analysis techniques. The results of this study show the existence of (1) Escape mechanism factors include family factors and internal factors of Pragina men which yields 7 records, (2) The form of escape mechanism includes authoritarianism, destruction and submission of automatons which yields 7 records, (3) The impact of the escape mechanism that occurs on Putu's character as a Pragina man in the novel >Yang Menari Dalam Bayangan Inang Mati<. Y1 - 2023 ER - TY - JOUR A1 - Ahmadi, Anas T1 - Musashi: Takezo the Ronin, Aggression, and Erich Fromm's Psychological Perspective JF - Izumi – Jurnal Bahasa, Sastra dan Budaya Jepang, Vol. 10, No. 1 (2021), pp. 11-20. [doi.org/10.14710/izumi.10.1.11-20] N2 - This study explores the character of Takezo the ronin in Musashi by Eiji Yoshikawa through the psychological perspective of aggression. This research specifically aims to (a) explore Takezo's psychology of aggression as a ronin and (b) the impact of Takezo's aggression on others. The approaches used in this research are the psychology of literacy and the psychology of aggression. The method used is qualitative; it uses data exposure and interpretation. The data source is the novel Musashi by Eiji Yoshikawa (translated version in Indonesian). The data used is in the form of text that is relevant to Takezo's psychology of aggression. The data analysis techniques are carried out in five stages, (1) identifying data related to Takezo's psychology of aggression, (2) data classification related to Takezo's psychology of aggression, (3) data presentation related to Takezo's psychology of aggression, and (4) summarizing data related to Takezo's psychology of aggression. The results showed that Takezo's aggressions are represented in the form of thoughts and behaviour. Takezo's aggressive thoughts are wanting to defeat and kill his enemies. Takezo's aggressive behaviour is killing his enemies, who are samurai. Takezo's aggressions cause the impact of physical category, and they are death and disability on the defeated samurai. Besides, in the psychological category, Takezo's aggressions cause fear and hatred in society. It is concluded that Takezo represents ronin, which desires destructive aggression that has a physical and psychological impact on others. [Author's English version] Y1 - 2021 ER - TY - GEN A1 - Ahmadi, Anas T1 - Manusia Biofilia dan Nekrofilia dalam Ekofiksi Indonesia: Perspektif Ekopsikologi [Human Biophilia and Necrophilia in Indonesian Ecofiction: An Ecopsychological Perspective], Doctoral dissertation, Language Education, State University Malang, Java, Indonesia 2018, 304 pp., Indonesian. N2 - Penelitian Tipe >Manusia Biofilia dan Nekrofilia dalam Ekofiksi Indonesia: Perspektif Ekopsikologi< ini didasarkan pada fakta bahwa sastra merepresentasikan hubungan manusia dan lingkungan. Penelitian ini berfokus pada empat aspek, yakni (1) tipe manusia biofilia dalam ekofiksi Indonesia; (2) tipe manusia nekrofilia dalam ekofiksi Indonesia; (3) sikap pengarang terhadap manusia biofilia dalam ekofiksi Indonesia; dan (4) sikap pengarang terhadap manusia nekrofilia dalam ekofiksi Indonesia. Penelitian ini menggunakan pendekatan kualitatif-deskriptif-interpretatif. Pendekatan yang digunakan dalam penelitian ini, yakni ekopsikologi yang merupakan bagian dari studi psikologi, sedangkan teori yang digunakan, yakni biofilia dan nekrofilia yang ditopang dengan konsep etika lingkungan dan alienasi lingkungan. Instrumen penelitian adalah peneliti yang sekaligus menjadi instrumen kunci. Data yang digunakan berupa kata, frasa, kalimat, dan alinea yang relevan dengan fokus penelitian. Sumber data yang digunakan, yakni 17 ekofiksi Indonesia yang relevan dengan fokus penelitian. Penganalisisan data menggunakan teknik heuristik yang merujuk pada Key & Kerr, swapencarian (selfsearch), swadialog (selfdialogue), dan swatemuan (selfdicovery), sedangkan untuk pengodean data merujuk pada Neuman, yakni (1) pengodean terbuka, (2) pengodean aksial, (3) pengodean selektif, dan (4) tahap pengodean final. Berdasarkan analisis, diperoleh temuan penelitian yang terpapar sebagai berikut. Pertama, tipe manusia biofilia yang terdapat dalam 17 ekofiksi indonesia muncul dalam bentuk (1) tipe manusia biofilia humanistik. Dalam interaksinya dengan lingkungan, manusia biofilia humanistik menunjukkan pikiran/tindakan mencintai laut, memprotes lingkungan tambang, peduli pada lingkungan domestik, peduli pada lingkungan sawah/ladang, dan mencintai binatang; (3) tipe manusia biofilia estetik. Dalam interaksinya dengan lingkungan, manusia biofilia estetik menunjukkan pikiran/tindakan yang berkait dengan keindahan air terjun, keindahan lingkungan sekitar, keindahan laut, kesenian tema lingkungan; (3) tipe manusia biofilia ekospiritualistik. Dalam interaksinya dengan lingkungan, manusia tipe manusia biofilia ekospiritualistik menunjukkan pikiran/tindakannya dalam upacara yang berkait dengan lingkungan dan pencarian jati diri melalui lingkungan; (4) tipe manusia biofilia ekosaintik. Dalam interaksinya dengan lingkungan, manusia biofilia ekosaintik menunjukkan pikiran/tindakan pengetahuan lokal tentang pengobatan, pengetahuan lokal tentang persilatan, pengetahuan lokal tentang pola hidup, cara mengendalikan lingkungan, dan cara membuat perahu. Kedua, tipe manusia nekrofilia yang terdapat dalam 17 ekofiksi indonesia muncul dalam bentuk (1) tipe manusia nekrofilia eksploitatif. Dalam interaksinya dengan lingkungan, manusia nekrofilia eksploitatif menunjukkan pikiran/tindakan yang berkait dengan eksploitasi lingkungan tambang, eksploitasi lingkungan hutan, eksploitasi binatang; (2) tipe manusia nekrofilia destruktif. Dalam interaksinya dengan lingkungan, manusia nekrofilia eksploitatif menunjukkan pikiran/tindakan yang berkait dengan pembakaran hutan, penyiksaan/pembunuhan binatang; dan (3) tipe manusia nekrofilia simbolis. Dalam interaksinya dengan lingkungan, manusia nekrofilia simbolis mengalami trans-spesies menjadi binatang (babi) yang suka mencuri harta orang lain. Ketiga, sikap pengarang Indonesia terhadap tipe manusia biofilia adalah mendukung sepenuhnya. Para pengarang Indonesia menunjukkan keberpihakan pada tipe manusia biofilia. Sikap keberpihakan pengarang tersebut muncul dalam bentuk (1) sikap menumbuhkembangkan spiritualisme lingkungan. Sikap ini direpresentasikan oleh pengarang Herliany dalam Is; (2) sikap mencintai binatang direpresentasikan oleh pengarang Kuntowijoyo dalam MPU, Cipta dalam Ca, Thayf dalam TT, dan Lestari dalam Pt; (3) sikap apresiatif terhadap estetika lingkungan direpresentasikan oleh pengarang Dewi Lestari dalam Ak, Seno Gumira dalam NB2, dan Mangunwijaya dalam IHIH; dan (4) sikap menunjukkan pengetahuan tradisi pengobatan tradisional direpresentasikan oleh pengarang Mangunwijaya dalam IHIH, Senogumira dalam NB2, dan Thayf dalam TT. Dengan demikian, sikap pengarang Indonesia terhadap manusia biofilia terkategorikan orientasi >lunak< belum mengarah pada orientasi >radikal< sebab dalam novel Indonesia manusia biofilia tidak digambarkan melakukan peperangan/pemberontakan terhadap manusia nekrofilia. Keempat, sikap pengarang Indonesia terhadap manusia nekrofilia adalah tidak mendukung. Mereka memprotes dan mengkritisi tipe manusia nekrofilia. Hal tersebut ditunjukkan pengarang Indonesia dalam bentuk (1) sikap menunjukkan ketidakadilan ras dalam lingkungan; (2) sikap mengkritisi eksploitasi lingkungan. Sikap menunjukkan ketidakadilan ras dalam lingkungan direpesentasikan oleh Andrea Hirata dan Thayf. Adapun sikap mengkritisi eksploitasi lingkungan direpresentasikan oleh Andrea Hirata, Thayf, dan Tereliye dan; (3) sikap mengkritisi penyiksaan dan pelecehan terhadap binatang direpresentasikan oleh pengarang Eka Kurniawan dalam O. Berkait dengan keempat simpulan tersebut tampak bahwa sastra Indonesia, khususnya novel masih belum banyak yang memunculkan representasi interaksi manusia dengan lingkungan, baik segi manusia biofilia dan manusia nekrofilia. Dengan demikian, pengarang Indonesia, khususnya novelis, perhatian terhadap masalah interaksi manusia dengan lingkungan belum begitu besar. Lingkungan belum menjadi tema arus utama dalam novel-novel Indonesia. Meskipun demikian, sastrawan Indonesia, misalnya Mangunwijaya, Navis, Kuntowijoyo, Rampan, Lestari, Kurniawan, Thayf, Senogumira, Tereliye, Cipta, dan Herliany, merupakan pengarang yang menaruh konsentrasi terhadap hubungan interaksional antara manusia dan lingkungan. Karena itu, pengarang yang menggambarkan interaksi manusia dan lingkungan adalah pengarang yang menarasikan sastra lingkungan atau yang dikenal dengan sebutan ecoliterature, ecofiction, atau econarratology. N2 - Research on Human Types of >Biophilia and Necrophilia in Indonesian Ecofiction: An Ecopsychological Perspective< is based on the fact that literature represents the relationship between humans and the environment. This research focuses on four aspects, namely (1) the type of biophilic human in Indonesian ecofiction; (2) necrophilic human types in Indonesian eco-fiction; (3) the author's attitude towards human biophilia in Indonesian eco-fiction; and (4) the author's attitude towards necrophilic humans in Indonesian ecofiction. This study uses a qualitative-descriptive-interpretative approach. The approach used in this study is ecopsychology which is part of the study of psychology, while the theory used is biophilia and necrophilia which are supported by the concepts of environmental ethics and environmental alienation. The research instrument is the researcher who is also the key instrument. The data used are in the form of words, phrases, sentences, and paragraphs that are relevant to the research focus. The data sources used are 17 Indonesian ecofictions that are relevant to the research focus. Data analysis used heuristic techniques that referred to Key & Kerr, self-search, self-dialogue, and self-discovery, while data coding referred to Neuman, namely (1) open coding, (2) axial coding, ( 3) selective coding, and (4) final coding stage. Based on the analysis, the following research findings were obtained which were exposed. First, the biophilic human type found in 17 Indonesian ecofictions appears in the form of (1) humanistic biophilic human type. In interacting with the environment, humanistic biophilic humans show thoughts/actions of loving the sea, protesting the mining environment, caring for the domestic environment, caring for the paddy/field environment, and loving animals; (3) aesthetic biophilic human type. In interacting with the environment, aesthetic biophilic humans show thoughts/actions related to the beauty of waterfalls, the beauty of the surrounding environment, the beauty of the sea, environmental-themed art; (3) eco-spiritualistic biophilic human type. In interacting with the environment, eco-spiritualistic biophilic humans show their thoughts/actions in ceremonies related to the environment and search for identity through the environment; (4) ecosynthetic biophilic human type. In interacting with the environment, ecosynthetic biophilic humans show thoughts/actions of local knowledge about medicine, local knowledge about martial arts, local knowledge about lifestyle, how to control the environment, and how to make boats. Second, the necrophilic human type found in 17 Indonesian ecofictions appears in the form of (1) the exploitative necrophilic human type. In interacting with the environment, exploitative necrophilic humans show thoughts/actions related to exploitation of the mining environment, exploitation of the forest environment, exploitation of animals; (2) the human type of destructive necrophilia. In interacting with the environment, exploitative necrophilic humans show thoughts/actions related to burning forests, torturing/killing animals; and (3) the human type of symbolic necrophilia. In interacting with the environment, humans with symbolic necrophilia experience trans-species to become animals (pigs) who like to steal other people's property. Third, the attitude of Indonesian authors towards the biophilic human type is fully supportive. Indonesian authors show partiality towards the biophilic human type. The attitude of the author's partiality appears in the form of (1) the attitude of fostering environmental spiritualism. This attitude is represented by the author Herliany in Is; (2) the attitude of loving animals is represented by the authors Kuntowijoyo in MPU, Cipta in Ca, Thayf in TT, and Lestari in Pt; (3) an appreciative attitude towards environmental aesthetics is represented by the authors Dewi Lestari in Ak, Seno Gumira in NB2, and Mangunwijaya in IHIH; and (4) the attitude of demonstrating knowledge of traditional medicinal traditions represented by the authors Mangunwijaya in IHIH, Senogumira in NB2, and Thayf in TT. Thus, the attitude of Indonesian authors towards biophilic humans is categorized as a >soft< orientation but not towards a >radical< orientation because in Indonesian novels biophilic humans are not depicted waging war/rebellion against necrophilic humans. Fourth, the attitude of Indonesian authors towards necrophilic humans is not supportive. They protest and criticize the necrophilic human type. This is shown by Indonesian authors in the form of (1) attitudes showing racial injustice in the environment; (2) the attitude of criticizing the exploitation of the environment. The attitude of showing racial injustice in the environment is represented by Andrea Hirata and Thayf. As for the attitude of criticizing environmental exploitation represented by Andrea Hirata, Thayf, and Tereliye and; (3) the attitude of criticizing the torture and abuse of animals is represented by the author Eka Kurniawan in O. In connection with these four conclusions, it appears that Indonesian literature, especially novels, still does not present many representations of human interaction with the environment, both in terms of human biophilia and human necrophilia. Thus, Indonesian writers, especially novelists, have not paid much attention to the problem of human interaction with the environment. The environment has not yet become a mainstream theme in Indonesian novels. Nonetheless, Indonesian writers, for example Mangunwijaya, Navis, Kuntowijoyo, Rampan, Lestari, Kurniawan, Thayf, Senogumira, Tereliye, Cipta, and Herliany, are authors who concentrate on the interactional relationship between humans and the environment. Therefore, authors who describe the interaction of humans and the environment are authors who narrate environmental literature or what is known as ecoliterature, ecofiction, or econarratology. [Translation: Google translator, 12/2022] Y1 - 2018 ER - TY - JOUR A1 - Putri, Kaskhadawati Sugianto A1 - Ahmadi, Anas T1 - Cinta Erotis 青墨彦页 Qīng Mò Yán dan 如小岚 Rú Xiăo Lán dalam Film >I’m Pet in Dali Temple< >我 在大王里寺当宠牛勿< Sutradara David Liu (Kajian Psikologi Erich Fromm) [The Erotic Love青墨彦页of Qīng Mò Yán and 如小岚 Rú Xiăo Lán in the Film I'm Pet in Dali Temple >我 在大王里寺当宠牛勿< Director David Liu (Erich Fromm's Psychological Studies)] [application of Fromm's theories to art] JF - Jurnal Pendidikan Bahasa Mandarin UNESA, Vol. 3, No. 2 (2020), pp. 1-11. [ejournal.unesa.ac.id/index.php/manadarin/article/view/46060] N2 - Film merupakan salah satu bentuk cara menikmati karya sastra, Genre cinta merupakan karya film yang banyak diminati dari berbagai golongan usia. Rasa cinta insan manusia selalu memiliki makna seperti cinta terhadap Tuhan-Nya, rasa cinta terhadap orang tua ataupun teman, dan rasa cinta yang membuat hari selalu berbeda dan tidak terbatas yakni jatuh cinta terhadap sesama insan lelaki dan perempuan yang memiliki keinginan untuk menyatu sejak awal perkenalan hingga kisah cinta tersebut berakhir sesuai dengan takdir. Penelitian ini membahas tentang Analisis cinta erotis Qīng Mò Yán青墨颜dan Rú Xiăo Lán 如小岚 dalam film >I’m Pet In Dali Temple< >我在大王里寺当宠牛勿<. Penelitian ini menggunakan teori kajian psikologi oleh Erich Fromm, dengan metode penelitian yang digunakan yakni deskriptif kualitatif yakni diawali dengan mengunduh data film, menonton film secara berkala dan berulang, mengumpulkan data, menganalisis data kemudian menyimpulkan data.Tujuan penelitian ini yakni menganalisis bagaimana bentuk cinta erotis tokoh青墨颜Qīng Mò Yán dan Rú Xiăo Lán 如小岚melalui tindakan ataupun ujaran yang ada dalam dialog film I’m Pet In Dali Temple >我在大王里寺当宠牛勿<. Hasil dan simpulan data yakni cinta erotis antara tokoh 青墨颜Qīng Mò Yán dan Rú Xiăo Lán 如小岚 yakni mengacu pada objektivitas reaksi tokoh 青墨颜Qīng Mò Yán dan Rú Xiăo Lán 如小岚 seperti reaksi spontan berkorban dan menolong, emosional mengungkapkan perasaan satu sama lain, simpati dan empati dan puncaknya yakni tokoh 青墨颜Qīng Mò Yán ingin menikahi Rú Xiăo Lán 如小岚. Berdasarkan simpulan tersebut, sejalan dengan Teori psikologi Erich Fromm yakni Cinta erotis dalam bukunya yang berjudul >Seni Mencintai<. N2 - Film is a form of enjoying literary works. The genre of love is a film that is in great demand from various age groups. Human love always has meanings such as love for God, love for parents or friends, and love that makes the day always different and unlimited, namely falling in love with fellow human beings, men and women who have the desire to unite from the beginning of the introduction. until the love story ends according to fate. This study discusses the analysis of Qīng Mò Yán 青墨颜 and Rú Xiăo Lán 's erotic love in the film >I'm Pet In Dali Temple< >我在大王里寺当宠牛勿<. This study uses the theory of psychological studies by Erich Fromm, the research method used is descriptive qualitative which begins with downloading movie data, watching movies regularly and repeatedly, collecting data, analyzing data and then concluding the data. The purpose of this study is to analyze how erotic love forms. Characters 青墨颜 Qīng Mò Yán and Rú Xiăo Lán through actions or speech in the dialogue of the film I'm Pet In Dali Temple >我在大王里寺当宠牛勿<. The results and conclusions of the data are erotic love between the characters Qīng Mò Yán and Rú Xiăo Lán which refers to the objectivity of the reactions of the characters Qīng Mò Yán and Rú Xiăo Lán such as spontaneous reactions of sacrifice and help, emotional expressing feelings for each other, sympathy and empathy and the climax is that the character Qīng Mò Yán wants to marry Rú Xiăo Lán . Based on this conclusion, it is in line with Erich Fromm's psychological theory, namely erotic love in his book entitled >The Art of Loving<. Y1 - 2020 ER -