TY - GEN A1 - Hua, Lina T1 - On the >Wandering Writing< in Lu Ling’s Novels in the 1940s, Master thesis, Chinese Literature, Jinan University, Guangzhou, Guangdong, China 2022 [application of Fromm's theories to art]. N2 - Lu Ling was a famous modern writer in the 1940s. In his novels of the 1940s, Lu paid attention to the wanderers oppressed by the war environment from the unique perspective of the wanderers, which led to his novels with a distinct wandering feature. With the transformation of geographical space and spiritual confusion, wandering as a state of existence became a form of literary expression and then wandering writing occurred. This thesis takes L< in order to analyze the presentation form of the wandering writing and explore the original life strength, subjective fighting spirit and free will show in the wandering writing of Lu Ling’s novels in the1940s, thus discovering the causes that bring about Lu Ling’s wandering writing in the 1940s and the literary historical significance of the wandering writing. The thesis is divided into four chapters: The first chapter mainly analyzes the presentation form of the wandering writing in Lu Ling’s novels in the 1940s and uses text analysis to interpret several wandering images in the novels. This chapter shows the dual wandering of the wanderer’s body and mind and the free state of the wanderer’ spirit, showing the wanderer and the writer’s own spiritual meaning of seeking and the pursuit of life value.– The second chapter explores the spiritual connotation of the wandering writing in Lu Ling’s novels in the 1940s, which analyzes the assertive primitive life force embodied in Lu Ling’s novels in the 1940s from Freud’s personality structure theory, explores the subjective fighting spirit contained in the author’s wandering writing from Hu Feng’s realist theory and inquires into the metaphysical problems of the wanderer’s pursuit of freedom and where the wanderer should go from the perspective of the existential theory of Sartre and Fromm’s freedom theory. What the author expresses through the wandering writing is a road to salvation combining individual liberation with national liberation, showing the wanderer’s transcendent exploration for the meaning and value of life in the 1940s.– The third chapter analyzes the causes leading to the wandering writing in Lu Ling’s novels in the 1940s, which explores the opportunities for the wandering writing in Lu Ling’s novels in the 1940s against the background of the wars and his turbulent life experience, and probes into the theoretical origins of his wandering writing from the May 4th literature, modern Hu Feng’s theory, and Western literary thought, and explores Lu Ling’s unique literary thought.– The fourth chapter discusses the literary historical significance of the wandering writing in Lu Ling’s novels in the 1940s. It sorts out the wandering writing of the writers since May Fourth, analyzes the inheritance and development of Lu Ling’s wandering writing through the similarities and differences between these writers and Lu Ling, and summarizes the contribution of the wandering writing in Lu Ling’s novels in the 1940s to the July School and the literary history of the 1940s from the perspective of realism, which is manifested in Lu Ling’s practice and development of Hu Feng’s theory and realist creation. Lu Ling pushed the traditional wandering writing into a new direction of development, and endowed the realistic writing with new theoretical and epochal significance in the inheritance and development, thus ascending to the character of epic. [Translation: www.cnki.net, 11/2022] Y1 - 2022 ER -