TY - JOUR A1 - Paes, Ana Carolina Lamosa T1 - A linguagem literária em >As Brumas de Avalon< (1982) [The literary language in >As Brumas de Avalon< (1982)] JF - Revista de estudios e investigación en psicología y educación, No. 9 (2017), A9-74 – A9-78. [doi.org/10.17979/reipe.2017.0.09.2731] N2 - A presente pesquisa está vinculada ao Laboratório de Estudos em Religiões e Religiosidades da Universidade Estadual de Maringá (BR), sob título >História e Literatura: as narrativas mitológicas em As Brumas de Avalon<, obra literária escrita por Marion Zimmer Bradley (1982). O trabalho tem como objetivo buscar compreender uma linguagem literária que contém em si uma linguagem simbólica. Assim, tanto são utilizados apontamentos de Roger Chartier (1999), quanto ao uso da literatura como fonte histórica, como também se procurou alinhar o trabalho com a linguagem simbólica de Erich Fromm (1969). N2 - The present research is linked to the Laboratory of Studies in Religions and Religiosities of the State University of Maringá (BR) under the title >History and Literature: The Mythological Narratives in The Mists of Avalon<, a literary work written by Marion Zimmer Bradley (1982). The aim of this work is to understand a literary language that contains in itself a symbolic language. Thus, both are used notes of Roger Chartier (1999), as the use of literature as a historical source, but also sought to align the work with the symbolic language of Erich Fromm (1969). Y1 - 2017 ER - TY - JOUR A1 - Henriques, Mendo Castro T1 - Franz Rosenzweig e o Deus Reconhecido JF - Revista Portuguesa de Filosofia, Vol. 73, No. 2 (2017), pp. 515-32. [Online ISSN 2183-461X] [jstor.org/stable/26196990] N2 - Rosenzweig’s outstanding work culminates in the issue of recognition of God. God is a being who we vainly try to reduce to an object, and whose manifestation goes along a hidden face. The divine being calls the human being, among the nothings of nature and the culture of nihilism, overcoming the totalities of power and history. This will be an important path for Rosenzweig’s new dialogical philosophy, opening the way for the voices of Lévinas, Buber, Fromm, Strauss, Benjamin and Scholem, and developing the hermeneutic categories of relation, narrative, temporality and redemption. Y1 - 2017 ER -