<?xml version="1.0" encoding="utf-8"?>
<export-example>
  <doc>
    <id>28472</id>
    <completedYear/>
    <publishedYear>2007</publishedYear>
    <thesisYearAccepted/>
    <language>zho</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>article</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="zho">Plight of Women's Roles – Interpretation of &gt;Center Stage&lt; [女性角色的困境——解读《阮玲玉》] [application of Fromm's theories to art]</title>
    <abstract language="zho">《阮玲玉》是关锦鹏导演的一部关于女性命运的力作,讲述一代影星阮玲玉的后半生。通过阮玲玉的悲剧命运,我们可以看到女性角色的困境,从而体会弗洛姆&gt;爱是一种能力&lt;的学说。</abstract>
    <abstract language="eng">&gt;Center Stage&lt;  is directed by Stanley Kwan's masterpiece film about the fate of women, about half a generation after the actress Ruan Lingyu. Center Stage by the tragic fate, we can see that the plight of women's roles, thereby experience Fromm &gt;Love is an ability&lt; doctrine. [automatic translation]</abstract>
    <parentTitle language="zho">Movie Literature [电影文学], No. 12 (2007), pp. 55-56.</parentTitle>
    <identifier type="old">Qiu_Xian_and_Zhao_Peng-ge_2007</identifier>
    <identifier type="opac-id">No Copy</identifier>
    <enrichment key="availability">no copy existent / keine Kopie vorhanden</enrichment>
    <enrichment key="format">no copy existent / keine Kopie vorhanden</enrichment>
    <enrichment key="idno">Qiu_Xian_and_Zhao_Peng-ge_2007</enrichment>
    <licence>no access / nicht zugänglich</licence>
    <author>Xian Qiu</author>
    <author>Peng-ge Zhao</author>
    <collection role="aboutfromm" number="">Articles / Artikel</collection>
    <collection role="frommlibrary" number="">Articles / Artikel</collection>
  </doc>
</export-example>
