@misc{Sutarno, author = {Sutarno,}, title = {Seni Mencintai Menurut Erich Fromm - Telaah atas Buku >The Art of Loving< (Erich Fromm) [The Art of Loving according to Erich Fromm - Review of >The Art of Loving< (Erich Fromm)], Bachelor thesis, Aqidah and Philosophy, Faculty Ushuluddin, Sunan Kalijaga State Islamic University Yogyakarta, Java, Indonesia 2006, 73 pp., Indonesian.}, abstract = {Mencintai seseorang adalah suatu tindakanYang memanifestasikan rasa kasih saying yang sangat manusiawi dan universal. Akan tetapi dalam prakteskoya mencintai dan dicintai pada sebagian orang mencerminkan dehumanisasi, baik dalam engawali, berproses maupun mrencanakan (menggapai) tujuan bersama. Hal ini disebabkan sebagian orang tersebut terbujuk kesandaran palsu ideologi kiapitalisme, inilah tesis Erich Fromm yang melandasi pembuatan bukunya >The Art of Loving<. Berangkat dari alasan tersebut, penelitian ini bertujuan untuk memahami landasan filsafat psikoanalisa Erich Fromm, konsep seni mencintainya sertamemahami apakah ada hubungan antara landasan filsafat psikoanalisa Erich Fromm dengan konsep seni mencintai Erich Fromm Metode penelitian yang digunakan untuk mencapai ketiga tujuan tersebut herjenis penelitian kualitatatif yang berorientasi pada kajian literature (Library research). Tehnik membaca yang dipergunakan pada riset ini adalah tehnik membaca pada tingkat simbolik dan membaca pada tingkat semantic. Kedua tehnik ini bertujuan menangkap dan memahami makna kebudayaan munsia, nila-nilai, symbol-simbol, pemikiran-pemikiran serta kelakuan manusia yang memiliki sifat ganda yang terdapt dalam buku > The Art of Loving< Erich Fromm. Melalui pendeskripsian bab dua Landasan Ilmu Psikoanalisa Erich Fromm dan bab tiga Deskripsi Singkat Buku >The Art of Loving< Erich Fromm kemudian menganalisanya pada bab empat, jawaban yang dihadirkan pada bab penutup sebagai berikut: (1) Landasan filsafat psikoanalisa Erich Fromm meliputi: (a) filsafat utopianisme. Mengikuti teori pengembangan landasan filsafat ilmu, maka filsafat utopianisme. Mengikute teori pengembangan landasan filsafat ilmu, maka filsafat utopianisme merupakan dimensi ontologis psikoanalisa Erich Fromm, (b) dimensi epistemologis psikoanalisa Erich Fromm cerminan dari filsafat Materialisme historis. Fromm menggunakan filsafat Materialisme historis, dan, (c) Untuk dimensi aksiologisnya, psikoanalisa Fromm menggunakan teori yang terdapat dalam Zen Budhisme serta cerita-cerita Bible, dan (2). Maksud dengan seni mencintai dalam buku >The Art of Loving< Erich Fromm adalah seni yang berlatar belakang pengetahuan cinta dalam upaya pengembangan totalitas kepribadian secara aktif untuk tercapainya sebentuk orientasi produktif.}, language = {mul} } @article{Simmonds, author = {Simmonds, Janette Graetz}, title = {The oceanic feeling and a sea change: Historical challenges to reductionist attitudes to religion and spirit from within psychoanalysis}, series = {Psychoanalytic Psychology, Vol. 23, No. 1 (2006), pp. 128-142. [Online ISSN 1939-133] [doi.org/10.1037/0736-9735.23.1.128]}, journal = {Psychoanalytic Psychology, Vol. 23, No. 1 (2006), pp. 128-142. [Online ISSN 1939-133] [doi.org/10.1037/0736-9735.23.1.128]}, abstract = {Three waves of challenges may be perceived from within psychoanalysis to its reductionist attitude to religion and spirit. These historical challenges from within psychoanalysis are an important context for reading the many papers now being published on spirituality and psychotherapy, and increasingly, spirituality and psychoanalysis. The 1st wave began with some of Freud's contemporaries, among them his friend, the psychoanalyst and pastor Oscar Pfister; the Nobel Laureate Romain Rolland, and the poet T. S. Eliot. Challenges continued after Freud's death: In Britain from psychoanalysts such as Rickman and Guntrip, and in America initially by the European immigrants, Erikson and Fromm. British independent psychoanalysts initiated what may be considered to be the 3rd wave, whose momentum is now swelling to a sea change.}, language = {en} } @article{SilvaJuniorLirio, author = {Silva Junior, Nelson da and L{\´i}rio, Daniel Rodrigues}, title = {A recodifica{\c{c}}{\~a}o p{\´o}s-moderna da pervers{\~a}o. Sobre a produ{\c{c}}{\~a}o do comportamento de consumo e sua gram{\´a}tica libidinal [The postmodern re-codification of perversion: On the production of consumer behavior and its libidinal grammar]}, series = {{\´A}gora (Rio J): Estudos em Teoria Psicanal{\´i}tica, Vol. 9, No. 1 (2006), 13 pp. [Print ISSN 1516-1498] [doi.org/10.1590/S1516-14982006000100005]}, journal = {{\´A}gora (Rio J): Estudos em Teoria Psicanal{\´i}tica, Vol. 9, No. 1 (2006), 13 pp. [Print ISSN 1516-1498] [doi.org/10.1590/S1516-14982006000100005]}, abstract = {Considerando a cr{\´i}tica de Adorno {\`a} ind{\´u}stria cultural, a qual torna a cultura um meio de produ{\c{c}}{\~a}o do comportamento de consumo, tentamos demonstrar como a gram{\´a}tica da pervers{\~a}o tende a monopolizar as formas de prazer na p{\´o}smodernidade. De acordo com nossa hip{\´o}tese, a produ{\c{c}}{\~a}o de consumo recodifica o recalcamento origin{\´a}rio concebido por Freud: tal gram{\´a}tica suprime a satisfa{\c{c}}{\~a}o libidinal de forma an{\´a}loga {\`a} repress{\~a}o prim{\´a}ria, contudo, ao inv{\´e}s de utilizar as tens{\~o}es insatisfeitas da libido para o trabalho, ela direciona a satisfa{\c{c}}{\~a}o erotica para o prazer de consumir. Desta forma, ela formata a satisfa{\c{c}}{\~a}o perversa para que esta se coadune com os interesses da economia.}, language = {pt} } @article{Schumm, author = {Schumm, Wilhelm}, title = {Arbeiter und Angestellte am Vorabend des Dritten Reiches. Eine sozialpsychologische Untersuchung.}, series = {A. Honneth (Ed.), Schl{\"u}sseltexte der Kritischen Theorie, Wiesbaden (VS) 2006, pp. 156-159.}, journal = {A. Honneth (Ed.), Schl{\"u}sseltexte der Kritischen Theorie, Wiesbaden (VS) 2006, pp. 156-159.}, language = {de} } @article{SantosGomez, author = {Santos G{\´o}mez, Marcos}, title = {La horizontalidad de las relaciones humanas y la tolerancia [The >Horizontalness< of Human Relations and Tolerance]}, series = {Utop{\`i}a y Praxis Latinoamericana, Vol. 11, No. 34 (2006), pp. 79-90. [Print ISSN 1315-5216] [redalyc.org/articulo.oa?id=27903406]}, journal = {Utop{\`i}a y Praxis Latinoamericana, Vol. 11, No. 34 (2006), pp. 79-90. [Print ISSN 1315-5216] [redalyc.org/articulo.oa?id=27903406]}, abstract = {La >tolerancia< es un valor que se puede entender como inclusi{\´o}n entusiasta del otro en el propio mundo. Partimos de esta visi{\´o}n, resaltan do que, desde ella, sertoleranterequerir{\´i}atenerla capacidad y la posibilidad de escuchar. Aludimos, en este sentido, tanto a una disposici{\´o}n interior del sujeto como a una estructuraci{\´o}n social determinada que permitan esta escucha, pero enfatizamos en especial la necesidad de una configuraci{\´o}n ps{\´i}quica apropiada, que denominamos >horizontalidad<. Seguimos en especial los planteamientos de Erich Fromm y Paulo Freire, entre otros, para describir dicha >horizontalidad tolerante< y terminar hallando en ella la salud y la reconciliaci{\´o}n del hombre consigo mismo.}, language = {es} } @article{Rius, author = {Rius, Carles}, title = {H. E. Richter: l'intent de relacionar psicoan{\`a}lisi i ci{\`e}ncies de la cultura [H. E. Richter: the attempt to relate psychoanalysis and cultural sciences]}, series = {Idees: revista de temes contemporanis, No. 30 (2006), pp. 9-14. [Online ISSN 2385-765X] [ddd.uab.cat/pub/artpub/2006/266992/idees_a2006n30p9.pdf]}, journal = {Idees: revista de temes contemporanis, No. 30 (2006), pp. 9-14. [Online ISSN 2385-765X] [ddd.uab.cat/pub/artpub/2006/266992/idees_a2006n30p9.pdf]}, abstract = {L'autor exposa i valora les idees principals de la filosofia de Horst-Eberhard Richter i de la seva l'empresa intel·lectual en el seu intent d'eixamplar les bases i els l{\´i}mits de la psicoan{\`a}lisi fins abastar el conjunt de les ci{\`e}ncies de la cultura, cam{\´i} que ja havien iniciat tamb{\´e} altres autors com ara Erich Fromm, Herbert Marcuse, Bruno Bettelheim, Alexander Mitscherlich, Paul Ricoeur, entre d'altres.}, language = {mul} } @article{Putterman, author = {Putterman, Theodore L}, title = {Berlin's Two Concepts of Liberty: A Reassessment and Revision}, series = {Polity, Vol. 38, No. 3 (Jul., 2006), pp. 416-446.}, journal = {Polity, Vol. 38, No. 3 (Jul., 2006), pp. 416-446.}, abstract = {In distinguishing between negative and positive freedom, Isaiah Berlin expressed a preference for negative freedom. Given the track record of those who in the past have advocated positive freedom, this is not surprising. But advocates of positive freedom do not accept that tyranny necessarily results from embracing their conception of freedom, and they are convinced that a commitment to negative freedom is never enough to defend "freedom" against tyrants. They do, however, share one thing in common with those who favor negative freedom: both equate their conception of freedom with >true freedom,< and treat the other as either false or incomplete. This might suggest that Berlin's distinction is more a partisan's tool than a tool of analysis. I disagree. But rather than reducing it to a distinction between >freedom from< and >freedom to,< we need to expand it. Not only will this enable us to move beyond an important criticism of Berlin's conception of freedom, it will also provide a better explanation for why negative freedom is as likely as positive freedom to diminish "true freedom" and why positive freedom is as likely as negative freedom to increase it.}, language = {en} } @article{Meisenhelder, author = {Meisenhelder, Thomas}, title = {From character to habitus in sociology}, series = {The Social Science Journal, Vol. 43, No. 1 (2006), pp. 55-66. [Online ISSN 1873-5355] [doi.org/10.1016/j.soscij.2005.12.005]}, journal = {The Social Science Journal, Vol. 43, No. 1 (2006), pp. 55-66. [Online ISSN 1873-5355] [doi.org/10.1016/j.soscij.2005.12.005]}, abstract = {The idea of social character has a long and important history within sociological thought. The concept addresses the fundamental question of the relationship between society and the individual, structure and agency. Tracing the development of the idea of social character from the classical sociology of Marx and Weber to more contemporary writings within American sociology by figures such as Fromm, Riesman, and Mills reveals ideas and perspectives central to the development of social theory. Although many argue that the idea of social character is no longer important in sociology, it has in fact resurfaced in Pierre Bourdieu's notion of habitus. Habitus specifies the original idea of social character without the biological or essentialist traits found in most of the earlier work. Habitus marks a substantial advance beyond earlier ideas of social character, providing a more purely sociological answer to the structure/agency (society/individual) problematic.}, language = {en} } @article{Kim, author = {Kim, Keum-Dong}, title = {김기영의 <하녀>에 나타난 장르 연구 [A Study on Genres in Kim Giyoung's Film >Hanyeo<] [application of Fromm's theories to art]}, series = {문학과 영상 [The Journal of Literature and Film], Vol. 7, No. 2 (2006), pp. 37-68.}, journal = {문학과 영상 [The Journal of Literature and Film], Vol. 7, No. 2 (2006), pp. 37-68.}, abstract = {In 1960s, realist films such as >The Coachman< by Gang Daejin and >An Aimless Bullet< by Yu Hyeonmok depicted with sympathy the poverty-stricken life and desperate circumstances of working class in urban area after war whereas >Hanyeo< [>The Housemaid<] by Kim Giyoeng sternly and sharply analyzed the middle class as well as the working class without emotional involvement as to what kind of economic relationship they had in industrial capitalism and as to what kind of psychological symptoms were induced by the economic relationship. Moreover, the characters in >The Coachman< and >A Aimless Bullet< were those who could not get away from traditional way of thinking and traditional life style whereas the characters in The Housemaid were completely new people who were cut off from traditional way of thinking and traditional life style. >Hanyeo< presented that all desires and impulses of the characters who lived in the society of industrial capitalism were completely dominated by the principles of capitalism. Unfortunately, however, the characters in the movie were not aware of such circumstances and problems of theirs at all, and consequently, they could not avoid their misery and devastation. It is not easy to find a film using such an unique motive in the history of Korean films. Moreover …}, language = {ko} } @article{Itzkowitz, author = {Itzkowitz, Sheldon}, title = {Discussion of Fiscalini's >Coparticipant Inquiry}, series = {Journal of Psychosocial Studies, Vol. 12, No. 3 (2019), pp. 259-276. [Online ISSN 1478-6737] [doi.org/10.1080/00107530.2006.10747115]}, journal = {Journal of Psychosocial Studies, Vol. 12, No. 3 (2019), pp. 259-276. [Online ISSN 1478-6737] [doi.org/10.1080/00107530.2006.10747115]}, abstract = {The author discusses Dr. Fiscalini's idea of coparticipant psychoanalysis by placing it in historical context. The ideas of the personal self and the interpersonal self emerge from two divergent lines of interpersonal thought, one being Sullivan and the other Fromm. The author poses several questions for consideration.}, language = {en} }