@misc{Levy, author = {L{\´e}vy, A.}, title = {Traditionen und Perspektiven im Werk von Erich Fromm. Dissertation Fachbereich Philosophie (Karl-Friedrich Wessel und Gerhard Danzer) an der Humboldt-Universit{\"a}t Berlin, Berlin 2000, 196 p.}, number = {unpublished version / unver{\"o}ffentlichte Fassung}, language = {de} } @article{Maccoby, author = {Maccoby, Michael}, title = {Toward a Science of Social Character. Paper presented at the IFPS XI International Forum in New York, May 4-7, 2000. Typoscript 15 p.}, number = {unpublished version / unver{\"o}ffentlichte Fassung}, language = {en} } @article{Aramoni, author = {Aramoni, Aniceto}, title = {Tiempo, vida y neurosis. Paper read at the Jornadas en homenaje a Erich Fromm at December 1st, 2000, in Madrid. Typoscript 15 p.}, number = {unpublished version / unver{\"o}ffentlichte Fassung}, language = {es} } @article{Hatz, author = {Hatz, M.}, title = {The Work Process as Spatial Situation}, series = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 1-2, April 2000), pp. 93-96.}, journal = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 1-2, April 2000), pp. 93-96.}, abstract = {Interacting with the work of art entails a spatial situation, which is double. On a mental plane it is encapsulated reverie, on a physical plane it is production and consumption. These two are woven together as an orthogonal text or texture. The space of the work of art thus contains both the process of its making and its viewing. Seen as a dimensional space it is non linear. It is characterized by oscillations, discepancies, misalignements, multiplicity and recurrence. There is a correspondance between the studio and the exhibition area, as well as a dialogue between privileged and unprivileged spaces. The situation has something in common with oneiric space, where weightlessness and gravity oscillate.}, language = {en} } @article{Lionells, author = {Lionells, M.}, title = {The William Alanson White Institute Yesterday, Today, and Tomorrow}, series = {The American Psychoanalyst. Internet: www.wawhite.org./abriefh.html, 6 p.}, journal = {The American Psychoanalyst. Internet: www.wawhite.org./abriefh.html, 6 p.}, language = {en} } @article{Asmi, author = {Asmi, D. M.}, title = {The Social-Political Alienation of a Citizen in the Authoritarian Political System Russian Typoscript Moskwa 2000, 3 pp.}, number = {unpublished version / unver{\"o}ffentlichte Fassung}, language = {ru} } @article{Funk, author = {Funk, Rainer}, title = {The Relevance of Erich Fromm for Today}, series = {Fromm Forum (English Edition - ISSN 1437-1189), 04 / 2000, Tuebingen (Selbstverlag), pp. 9-14.}, journal = {Fromm Forum (English Edition - ISSN 1437-1189), 04 / 2000, Tuebingen (Selbstverlag), pp. 9-14.}, language = {en} } @article{GojmandeMillanMillan, author = {Gojman de Mill{\´a}n, Sonia and Mill{\´a}n, Salvador}, title = {The Legacy of Fromm in Mexico}, series = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 3-4, October 2000) pp. 207-215}, journal = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 3-4, October 2000) pp. 207-215}, language = {en} } @article{MillanGojmandeMillan, author = {Mill{\´a}n, Salvador and Gojman de Mill{\´a}n, Sonia}, title = {The Legacy of Fromm in Mexico}, series = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 3-4, April 2000), pp. 207-216.}, journal = {International Forum of Psychoanalysis, Oslo (Scandinavian University Press) Vol. 9 (No. 3-4, April 2000), pp. 207-216.}, abstract = {Erich Fromms Einstellung gegen{\"u}ber den abstrakten Wissenschaften wie der Ma-thematik erscheint uneinheitlich: einerseits hat er bekannt, abstraktes Denken falle ihm schwer, andererseits hat er Vertretern abstrakter naturwissenschaftlicher Theo-rien wie Einstein und Heisenberg eine revolution{\"a}re Haltung attestiert. Tats{\"a}chlich l{\"a}sst sich Fromms Kreativit{\"a}tsbegriff auch f{\"u}r die Mathematik fruchtbar machen. Fromm fordert auf, die Dinge in ihrem >So-Sein< wahrzunehmen und darauf kritisch zu >antworten<, ein Verhalten, das die Bereitschaft zur Abstraktion mit einschließt. Der didaktisch bedeutsame >Siehe-Beweis< in der Mathematik ist damit ein Muster-fall dieses Frommschen Ansatzes. Zu Fromms ganzheitlichem Anspruch geh{\"o}rt seine von ihm auch gelebte Forderung an den Menschen, sich Konflikten zu stellen und so seinen Charakter zu entwickeln. Dies verweist auf einen speziellen Grund-zug mathematischen Denkens, n{\"a}mlich das Bestreben in der Mathematik, sich {\"u}ber Normen hinwegzusetzen, wie es die Entdeckung der nichteuklidischen Geometrien im 19. Jahrhundert zeigt. Dieser prometheische Geist der Mathematik, der von P{\"a}dagogen oft {\"u}bersehen wird, steht damit dem Frommschen Kreativit{\"a}tsbegriff sehr nahe.}, language = {en} } @article{EckardtHorney, author = {Eckardt Horney, Marianne}, title = {The Impossible Ideal: A Patient-Oriented Therapy. Paper presented at the IFPS XI International Forum in New York, May 4-7, 2000. Typescript 12 p.}, number = {unpublished version / unver{\"o}ffentlichte Fassung}, language = {en} }