TY - JOUR A1 - Kim, Keum-Dong T1 - 김기영의 <하녀>에 나타난 장르 연구 [A Study on Genres in Kim Giyoung’s Film >Hanyeo<] [application of Fromm's theories to art] T2 - 문학과 영상 [The Journal of Literature and Film], Vol. 7, No. 2 (2006), pp. 37-68. N2 - In 1960s, realist films such as >The Coachman< by Gang Daejin and >An Aimless Bullet< by Yu Hyeonmok depicted with sympathy the poverty-stricken life and desperate circumstances of working class in urban area after war whereas >Hanyeo< [>The Housemaid<] by Kim Giyoeng sternly and sharply analyzed the middle class as well as the working class without emotional involvement as to what kind of economic relationship they had in industrial capitalism and as to what kind of psychological symptoms were induced by the economic relationship. Moreover, the characters in >The Coachman< and >A Aimless Bullet< were those who could not get away from traditional way of thinking and traditional life style whereas the characters in The Housemaid were completely new people who were cut off from traditional way of thinking and traditional life style. >Hanyeo< presented that all desires and impulses of the characters who lived in the society of industrial capitalism were completely dominated by the principles of capitalism. Unfortunately, however, the characters in the movie were not aware of such circumstances and problems of theirs at all, and consequently, they could not avoid their misery and devastation. It is not easy to find a film using such an unique motive in the history of Korean films. Moreover … Y1 - 2006 UR - https://opus4.kobv.de/opus4-Fromm/frontdoor/index/index/docId/37619 ER -