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    <link>http://opus4.kobv.de/opus4-ubbayreuth/index/index/</link>
    <pubDate>Tue, 23 Apr 2013 11:59:59 +0200</pubDate>
    <lastBuildDate>Tue, 23 Apr 2013 11:59:59 +0200</lastBuildDate>
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      <title>Rapporti tra opera e fruitore nelle origini dell’installazione sonora (1900–1966)</title>
      <link>http://opus4.kobv.de/opus4-ubbayreuth/frontdoor/index/index/docId/1149</link>
      <description>One feature that defines sound installation as a genre is the participation of the user. Upon entering the space of a work, the user assumes an active role. Thereby the work takes on a theatrical and formative dimension: an art initially defined through space reveals its temporality. This essay analyzes the theatrical dimension, that is, the "modal structure," of works up to 1967, the first period of the sound installation genre. Both interactive and non-interactive works are considered. The analysis shows various models of theatricality for the first years of the genre, during which a diversity of origins and genealogy is reflected. What is common to these experiments is that they seek to involve the viewers, a strategy whose roots lie in the aesthetics and experiments of the first half of the twentieth century, but which since 1955 has become conspicuous.</description>
      <author>Giacomo Albert</author>
      <category>article</category>
      <guid>http://opus4.kobv.de/opus4-ubbayreuth/frontdoor/index/index/docId/1149</guid>
      <pubDate>Tue, 23 Apr 2013 11:59:59 +0200</pubDate>
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    <item>
      <title>Editorial 2012/4: Ars acustica – Audio Art – Klangkunst</title>
      <link>http://opus4.kobv.de/opus4-ubbayreuth/frontdoor/index/index/docId/1147</link>
      <description>Während der Beschäftigung mit den Texten aus der aktuellen Ausgabe unserer Zeitschrift formulierten sich einige Fragen stetig neu: Wie beispielsweise lassen sich die Begriffe der Ars acustica, Audio Art und Klangkunst voneinander trennen? Worin liegen ihre Überschneidungen und welche Synergieeffekte werden durch die Kombination der wesentlichen Bestandteile – nämlich bildnerisch-künstlerischer und akustischer Elemente – in den entsprechen den Kunstwerken erzeugt? In welchem Verhältnis steht Werk und Aufführung, wenn die Entgrenzung der Künste Programm wird?</description>
      <author>Sarah Mauksch; Wolf-Dieter Ernst</author>
      <category>article</category>
      <guid>http://opus4.kobv.de/opus4-ubbayreuth/frontdoor/index/index/docId/1147</guid>
      <pubDate>Tue, 23 Apr 2013 11:59:26 +0200</pubDate>
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